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The spooky tale of the mirror's malevolence has some cracks in its mythology.The garish-looking antique looks like it belongs in a house of ill repute.It certainly would not have been on the list of activities recommended by Tim's encouraging therapist (Miguel Sandoval). Now 23, Kaylie is hell-bent on destroying the mirror that her research revealed as a murderous ornament dating to the 1700s.It helps that the pair is likable, though in markedly different ways. Conveniently, she works for the auction house selling the mirror and arranges to transport it to their childhood home, empty for the decade since the tragic deaths.
That the royals let such a substantial piece out of their hands, only to have it turn up in the home office of a suburban American family, seems a bit of a stretch, even for a ghost story.Instead, it’s one of the few teen movies honest enough to show just how much of high school was spent spinning our wheels, and how few of us were aware of it. Richard Linklater (writer, director, co-producer): I’d always had this idea for a strange high school film.I remember being a high school freshman in Huntsville and driving around all night with three or four guys in a Le Mans, listening to an eight-track tape of ZZ Top’s sliding into the eight-track player and then have a whole movie in this car, meeting people who drove up next to you, going through the drive-through, getting out and getting beer—basically always in and around the car.Fortunately, many of those screens were in college towns, where the movie found a natural audience and built the word-of-mouth buzz by which cult favorites are made.Eventually it even outgrew cult status; home video and DVD sales and rentals total more than million, and the two volumes of the soundtrack have together sold more than two million copies.