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These images appear before animal and vegetal backdrops.
The poses and faces of those depicted within this monument, as well as the folds of clothing treated in a simplified manner, place the images in the Byzantine context of the fifth or sixth centuries.
The rock church of Deir Abu Hinnis near Antinoe, which was hewn within an ancient quarry, has one of the oldest examples of ecclesial (related to a church) painting, which dates from the end of the sixth century.
A frieze here which continues uninterrupted between scenes and is characterized by a variety of poses, depicts many episodes of Christ's life, including the massacre of the innocents by Herod, the flight of Elizabeth and John, the dream of Joseph and the Holy Family's flight into Egypt.
Unfortunately, early collections of Christian art were made without recording details of the sites from which they came, making it virtually impossible to trace artistic development through time.
The paintings in the various chapels and tombs of this region display a notable change from the earlier work in Alexandria, as well as an expansion of the iconographic repertory.
Left of this, inscriptions identified Christ and the Holy Virgin as being among the guests who witnessed the changing of water into wine at the wedding in Cana.
Many of the scenes depict people in nature poses with fluid clothing before woodland backgrounds, a style suggestive of Roman art, particularly with regards to catacombs both in Egypt and in the rest of the Roman world.
The use of panels also became a common fashion among monastic complexes, particularly at Bawit and Saqqara, which flourished between the sixth and eighth centuries AD.
In the oratories of the cells and in churches, the walls could present up to three tiers of adornment.